Director: Matteo Garrone Writers: Giambattista Basile (book), Edoardo Albinati (screenplay) Stars: Salma Hayek, Vincent Cassel, Toby Jones
In ‘Tale of Tales’ Matteo Garrone takes the basis of three Italian folk tales – originally collected in the 15th century by Giambattista Basile (who also made the first known records of the tales of Rapunzel and Cinderella) – and weaves them into a sumptuous and magical portmanteau film.
In the first tale we see Salma Hayek as Queen of Longtrellis, with John C. Reilly as her heroic King, being told they will be able to have their long-yearned-for child if he can only defeat a sea monster, and she can then devour it’s heart having had it cooked by a virgin. Bizarre, I know. The second tale sees Vincent Cassell as the lothario King of Strongcliff, who is banging his way around the kingdom, exhausting himself and the ladies he leaves strewn in his wake. One day he hears the beautiful voice of a woman he has never heard before, and finds himself accidentally wooing two elderly sisters. Toby Jones leads the third tale, as he finds his Kingly affections swayed not by women, but an altogether very different kind of creature, leading him to make a decision which leaves his daughter Violet (Bebe Cave) in mortal peril.
‘Tale of Tales’ is a very grown-up fairy tale of sorts, with sex and violence galore, and some pretty adult themes to boot. Part ‘Pan’s Labyrinth’, part ‘The Princess Bride’, it comes as no surprise to learn that the cinematographer is Peter Suschitzky, who has a long history working with David Lynch on films such as ‘Naked Lunch’ and ‘eXistenZ’, and consequently is well-versed in capturing gruesome beasties and body horror to maximum effect.
The performances are all excellent, but they are often eclipsed by the incredible costumes, sets and make-up, which really make the film stand out from its more saccharine counterparts. The practical effects in particular are stunning, with several impressive and terrifying creatures being bought to life not through CGI but through good old silicon and ingenuity. The aged make-up on Hayley Carmichael and Shirley Henderson is truly something to behold.
It’s great to see that the women of these fairy tales are not all damsels in distress needing saving by a handsome Prince. Indeed, their lives are far more complex, their desires more nuanced, and they certainly don’t all live happily ever after. While one of the tales peters out and another meets a brutal, gory end, it is Toby Jones and Bebe Cave’s tale which provides the substantial backbone to the film, and gives us the most satisfying resolution.
‘Tale of Tales’ is a resolutely gorgeous, brutal carnival of the grotesque and magical, although it is a little too patchy for it to be ranked as a classic, it may still make it to cult status.